Monday, August 20, 2012

Preparing for the Storm


A good wind will
rap your body’s cage
with baton hands—
smack it down
hurricane strong
     and your organs tremble
In the night
barefoot in the yard
I watch a good wind
bring down the tree
I climbed in youth
and take every last
      limb bark leaf
into the dark with it—
Wind like a jackknife,
jetfire, coalfire, cannonfire
Wind like my grandmother’s hands,
dry blue rivulets
thinning out in plots
of her skin
Wind like a quake,
like twines of sulphur
you breathe
    at our moon
    at the stoplight
    at your sister
    at everything, everywhere
A politician has
good wind
So does the radio
between chatter static
in traffic
where a good wind
howls horns and all
The radio with the bad news—
     bad news
     bad news
     commercial
     bad news
A good DJ knows
good wind
Jeremiah down the street
knows wind
It took his job
then his house,
most of his dignity
It saved the respect
of his neighbors
for last
My brother found his
wind in a pipe
His lungs filled up
with glass
and dark-eyed gales
hauled him to the pit
He never really came back
My mother,
hers was the strongest—
     a tailwind
          It sent her far away from here.

Swallows


Her eyes never settle, but flitter in her skull—
slowly wild like flame behind the blackened glass
of lanterns in her flooded home. Columbus Day.

She tells us a story of the storm—
how the thunder bawled, the windows
whined, strained and shattered.
My brother holds her talon hands. I see her
in my mind, child-eyed with cheeks
like a watercolor chorus—
not the hounded, narrow jowls
she wears now.

She weeps of the dog she saved—
Marionette,
who crouched from the rain
down through the gaping frame of the window
blown out by the wind,
who passed over glassy teeth, straight back
into the black throat of her basement.

Mom says:
She shook off the rain
and gnawed at a bit
of copper piping
caught in her ribs.
And I want to save her.

My brother holds her hands, the wire fingers.
I watch her eyes—
like watching a pair of etherised swallows
be tossed away like this                                                                              into that skittery storm
and forgotten.

I begin to wonder if they used to chitter,
calling raucously across the bridge of her nose
or if they used to sing
in the morning behind the thickets of her eyelashes.
I wonder if they ever dreamt themselves awake.
I wonder if they thought themselves born then came to life,
or if someone found them and cast them away into her sockets—
the way you might save two moths from an overflowing sink
then flick them out the window.

We sit her down weary, already coughing dust—
a flame on a wick
blown out by the thinnest wing.

I Awake


Django,
just as you tip the song over
and spill everything out of it,
I split a clove of garlic on the chest of a knife
and press it with the cold cheek of a spoon.
And when your fingers ache,
mine will, too.
Just as I hear your gypsy tune come carouseling
off of high-cornered ceilings,
bending without shape
around the open frames of unlocked doors,
I float a bay leaf over the broth,
bring it all to a boil—then bring it low—
and sweep the scraps onto the floor.

I wait for you
in a room filled with that simmering murmur,
by the window looking out
on the passing sun—
on all the callow switches,
stitched and quilted by unbeaten snow.
We have winter minds, Django;
this cold keeps us warm with forgetfulness.
Sit here with me and listen to the land—
tapping, dripping, wheezing through the pane
and softly through the room,
tipping me adrift into a dream—
like snow lured into a bluster,
or a fallen branch
wheeling gradually down an empty road.

Ivy the Limbs


The trees sleep,
old claws clinging
deep into their beds.
When the wind comes
it rattles their skin—
loose and flaking—
and shaking their muscle,
steals their blood-let
leaves away.
They're caught
stiff in the cold—
pointing, forking
at the sky.

I, the Spark


Manholes clatter under my toes—
clanky clankity
click click
and lick my chin with sewer breath.
The wind is my carriage!
I smell pine needles burning
in the throats of chimneys,
and watch a few tawny towers cough into the air.
I bite into my lip and taste my own fire.
It tastes the way the street used to sound at midnight—
little Aaron Graves tip-toeing down Columbia
after we tossed rocks through the eyes
of forgotten depots, when the wind
was not my carriage, but a conspirator,
and the rocks were not rocks,
but napalm.
We ran where fallen apples
lay rotting in corner lots,
where two toothless men
shared a brown-bagged forty
because they had forgotten to turn off their ovens.
Don’t knock it ‘til you try it, they said,
the charred cookies of childhood
burning in their minds.
We were as hopeful as hand grenades,
swinging streetlights at stray cats,
and fastening shadows like capes.
Rhino trudged there along the gutters,
watching for hellions below the street drain.
Swallow me up! He’d cry,
when rivers threw back the covers,
when the moon took a shot in the jaw,
when something whispered flicker
from a leaky conduit.
While rubbery trees wriggle in a puddle,
I fit my memories in a tumbler of whiskey,
which I chase with water
to douse my flames.